en Cuevana. Filmed in Belgrade in 1962, Parade documents the city’s engagement with the annual May Day celebration by largely ignoring the formal procession. Instead, Dušan Makavejev records the informal moments surrounding it: workers, officials, wanderers, and organizers negotiating space, hierarchy, and appearance. Shot with a detached, humorous eye, the film assembles a mosaic of everyday behavior that reveals the contrast between official ceremony and lived social reality.
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